AI Rap Generator

Describe the track you hear in your head. Get back a full rap song — vocals, beat and mix — not just a loop.

0/300
0/80
Instrumental only — beat, no vocals

Free credits on every new account. No card needed.

Real output

The prompt behind each track, and every bar it wrote

Most rap tools stop at the words. Each track below came from the plain-English description printed beside it — the beat, the vocal take and the bars you can read alongside it all came back in one pass, with nothing edited afterwards. Press play while you read the prompt and you can hear exactly which words did what.

Bus Home Bars

Boom bap

Prompt used

A boom bap track over dusty drums and a soulful piano loop, with reflective English rap verses about grinding through a dead-end shift and still writing bars on the bus home.

Lyrics

[Verse 1] Clock in, clock out, same gray room Fingers on the register, mind on a boom Dead-end shift, but I move that weight Counting broken minutes like a prison gate Manager talkin’, I just nod and grin Pocket full of lint and a page full of sins I fold my cash like I fold my pride Got a whole new verse in the back of my mind [Pre-Chorus] Bus stop cold, I’m still awake Ink on my knuckles, no time to break Window got rain and a tired face But I can still outrun this place [Chorus] Bus home bars, bus home bars I write my life in the dark Bus home bars, bus home bars Still got fire in my heart (Still got fire) Bus home bars, bus home bars This ain’t where my story ends [Verse 2] Seat back, head down, cap low lean Route 19 creeping through the after-scene Street by street, I’m reciting that line Mouth full of rhythm, no watch, no sign One more page, then another run Whole life bent but I ain’t undone Back cramped up, but the thought stay loud I hear my own name in the hush of the crowd [Pre-Chorus] Bus stop glow through the fogged-up glass Every rough night still gotta pass If the day took more than it should I turn that loss into something good [Chorus] Bus home bars, bus home bars I write my life in the dark Bus home bars, bus home bars Still got fire in my heart (Still got fire) Bus home bars, bus home bars This ain’t where my story ends [Bridge] Same old shift, same worn shoes Still got a reason to bruise these blues One train gone, one bus behind I’m still ahead in my own mind (Still ahead) Pen in my lap, night on my side I keep that spark from a long hard ride [Chorus] Bus home bars, bus home bars I write my life in the dark Bus home bars, bus home bars Still got fire in my heart (Still got fire) Bus home bars, bus home bars This ain’t where my story ends

Count Me Out

Trap

Prompt used

A trap record with 808 slides and fast hi-hats, with confident English rap verses about outworking everyone who counted you out, delivered with a laid-back flow.

Lyrics

[Verse 1] They said I’d fold I stayed in motion Clock in, lock in No promotion Late nights, same grind Whole team know it Look at the work That’s my motive I was the name They skipped right past Now they lean in When the beat go fast Same old room New gold taste You can see the shift On my face [Pre-Chorus] Count me out I count up Slow walk, big talk Then I show up Hands too full I still make room Built this lane In a hard move [Chorus] Count me out I count up Count me out I went up You said “nah” I said “watch” Now my name On the top Count me out I count up Count me out I went up I don’t rush I don’t shout I just slide Right through doubt [Verse 2] Same ones grinning When I was broke Same ones quiet Now they quote Never needed A lucky break I made pressure Work for pay Little by little Brick by brick Now the whole thing Move too quick I keep calm When the room get loud I let results Do the talking now [Pre-Chorus] Count me out I count up Slow walk, big talk Then I show up Hands too full I still make room Built this lane In a hard move [Chorus] Count me out I count up Count me out I went up You said “nah” I said “watch” Now my name On the top Count me out I count up Count me out I went up I don’t rush I don’t shout I just slide Right through doubt [Bridge] Let ’em talk I’m still here Same vision Different gear No shortcuts No fear I took my time Got clear [Chorus] Count me out I count up Count me out I went up You said “nah” I said “watch” Now my name On the top Count me out I count up Count me out I went up I don’t rush I don’t shout I just slide Right through doubt

Cold Corner Night

Drill

Prompt used

A UK drill track with sliding bass and a cold minor-key melody, with tense English storytelling about a night that almost went sideways, told in short punchy lines.

Lyrics

[Verse 1] Pulled up, hood low Rain on the tarmac Phone face down I was looking at the back track One car parked Near the off-licence shutter Two man deep And they both looked nuts, bruv I kept it calm Told my guy, "Stay cold" No big talk Just let the night unfold Then that door swung And the whole place froze I saw one bad move From a block away, slow [Pre-Chorus] Heart in my throat Same street, wrong time Man stared too long I could read that sign Took one step back Then I caught that glance Everybody moved quick When the moon went black [Chorus] Cold corner night We were one beat off Cold corner night Could've all went wrong Keep your head down Keep your voice low Cold corner night Then we let it go [Verse 2] Said "you good?" He said "yeah, I'm calm" But his hand kept twitching On the side of his arm I watched that window And I watched that lane One false word And it might've changed Then a siren passed Not close, just near Still made man stiff Had to switch that gear My boy laughed once Said "that was mad" We walked on home With the tense still bad [Pre-Chorus] Same dark road Same cold air I could taste the risk When I got back there One wrong look One quick flash Could've turned that night To a full-on crash [Chorus] Cold corner night We were one beat off Cold corner night Could've all went wrong Keep your head down Keep your voice low Cold corner night Then we let it go [Bridge] No hero talk Just a narrow miss One more step And it could've split So I thanked my luck And I kept it clean Some nights stay close Like a bad old dream [Final Chorus] Cold corner night We were one beat off Cold corner night Could've all went wrong Keep your head down Keep your voice low Cold corner night Then we let it go

How it works

From a sentence to a finished track

Three moves, no production knowledge required.

  1. 1

    Describe it

    Write one or two sentences covering three things: the sub-genre or drums, the melody or mood, and what the verse is about. The more specific the subject, the sharper the writing comes back.

  2. 2

    Generate

    The generator writes the verses, performs them, and builds the instrumental underneath in one pass. You get a complete track rather than stems you have to assemble yourself.

  3. 3

    Refine

    Change one part of the description and run it again — swap the drums, shift the mood, tighten the story. Iterating on the prompt is usually faster than editing the result.

What it does

Built for how rap actually gets made

Everything here exists because rap needs it, not because a generic music tool happened to have it.

Sub-genres, not just "rap"

Sub-genres, not just "rap"

Boom bap, trap, drill, lo-fi hip hop, conscious rap, cloud rap, jazz rap and more. Name the one you want in the description and the drums, tempo and melodic palette follow it — a drill prompt does not come back sounding like boom bap.

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Performed, not read out

Performed, not read out

The vocal follows the flow the description implies: short punchy lines stay clipped, storytelling verses breathe. Prefer to rap over it yourself? Switch on instrumental only and you get the beat alone.

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A whole song, first try

A whole song, first try

Verses, hook and instrumental arrive together and in time with each other. Nothing to line up in a DAW before you can tell whether the idea worked.

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Somewhere to take it next

Somewhere to take it next

A finished rap track is usually the start. From here you can master it, cut a cover version, or build a music video — the same track carries through to the rest of the tools instead of being a dead end.

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Before you spend a credit

What you are actually getting

The things people want settled before they generate anything — answered plainly, including the parts that come with conditions.

A world-leading music model

Melody, vocal performance and mix all arrive at release quality — full length, in time, and balanced to sit together. Not a rough sketch you have to repair before anyone else can hear it.

Commercial use with a paid music plan

Any paid music subscription includes commercial rights for songs on the same account, including earlier Free-plan songs. No regeneration is needed, and the rights remain valid after cancellation, subject to the Terms.

Almost any style you can name

Over 600 style tags across 45 categories — genres, eras, vocal types, production and arrangement. Boom bap or drill, lo-fi or orchestral: name it in the description and the model follows it.

Split into up to 70 instruments

Send any finished track to the stem splitter: vocals and accompaniment, 4, 6 or 12 tracks, or professional separation that pulls out up to 70 individual instruments as files you can use on their own.

Remix, cover, extend, rework

A finished track is a starting point. Cover it in another voice, remix it, extend it, edit one section, or master it — every tool reads the track you just made, with no export and re-upload in between.

Free credits, no card

New accounts get credits to spend straight away. Generate a full rap track, play it back, and decide afterwards whether it is worth paying for. Nothing is charged while you are still deciding.

FAQ

Questions worth answering before you start

Short, accurate answers. Where something depends on which credits you spend, we say so rather than leaving you to guess.

It is a tool that turns a written description into a rap recording. You supply the subject, the sub-genre and the mood; it writes the bars, performs them, produces a matching instrumental and mixes the two together. The output is an audio file, not a lyric sheet.

New accounts receive 10 one-time welcome credits with no card required. Free-plan songs are for personal, non-commercial use until you subscribe to a paid music plan.

Boom bap, trap, drill, Southern hip hop, conscious rap, lo-fi hip hop, old school, underground, alternative hip hop, jazz rap and cloud rap, among others. Naming the style in your description is what steers it — that is more reliable than leaving it to be inferred.

Yes. Generating from a description is the fast path, but you can bring your own words: start a track in the creation workspace, paste your lyrics in, and describe the beat you want under them.

Any Basic, Standard or Premium music subscription grants commercial-use rights to songs on the same account, including earlier Free-plan songs, without regenerating them. You may distribute and monetize those recordings, including on YouTube. These rights remain valid after cancellation, subject to the Terms and third-party requirements.

Usually a couple of minutes from pressing generate to a track you can play. Longer or more complex requests take a little more, and you can leave the page while it runs.

Yes. You can extend it, remix it, replace the vocal, split out stems or run it through mastering. In practice, editing the description and regenerating gets you further faster when the whole direction is off.

No. If you can describe the track in a sentence, you can use this. Knowing the vocabulary — 808s, hi-hats, boom bap, minor key — helps mainly because it gives the generator more to work with.
Related tools

Where a rap track goes next

Describe a rap track and hear it back

One sentence about the drums, the mood and the story is enough to start. Free credits on every new account.

Start creating

No credit card needed · Free credits to start

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